Digital Music Publishing Administration

VerseOne Distribution provides digital music publishing administration services to clients on our distribution service contract. Our publishing administration deal allows you to earn additional royalties when your music is played publicly or if it’s used in movie or ad syncs, non-interactive and interactive digital media (e.g. SiriusXM), live and non-live venues, and other retailers. Most musicians only make money from ticket sales when they tour. However, if your music is being distributed and performed worldwide and you don’t have a publishing deal, your royalties are sitting in collection societies around the world waiting to be claimed.

Collecting these royalties by yourself will require direct relationships with each society in each territory. Doing this takes time, paperwork, and a lot of upfront fees. Worst of all, if you don’t register in time to collect your royalties, the collection societies will retain the royalties and you will miss out on additional revenue. VerseOne will help you collect your royalties and send them to you.

At VerseOne, you have to be a distribution client to be eligible for publishing services. Our publishing contract is exclusive, which is accompanied by a non-exclusive contract for synchronization services. With our sync services, your music is pitched to music libraries, movie studios, advertising agencies, etc. If you are curious or interested in our publishing or sync services, please contact us.

Music Publishing Basics

What is music publishing?

In a nutshell, music publishing is the management of the intellectual property of composers. A music publisher’s job is to ensure the copyright owner is getting the royalties they are entitled to and make efforts to maximize certain types of income.


What’s in it for the writer?

Monitoring and claiming your royalties can be a complex and time-consuming process. You need to get involved with performing rights societies, mechanical right societies, audio recognition service providers and deal with title registrations, counter claims, licensing queries and cue sheet reporting among other things. Even then there might be income that goes unnoticed and unpaid if you don’t have the know-how and means to chase up. By entering a publishing deal you can let your publisher deal with the administration while you focus on your craft!


What’s in it for the publisher?

The answer is simple and transparent – a cut of the earnings that both parties have agreed upon. This means that it’s in the music publisher’s best interest for the writer’s songs to perform well and generate as much income as possible.


What is the difference between a record label and a music publisher?

An easy way to make that distinction is to think of a song as having two sides: the recording and the composition. Traditionally, record labels deal with the recording (aka master) and music publishers deal with the composition.


Understanding intellectual property ownership and copyright splits

The World Trade Organization defines intellectual property rights as “the rights given to persons over the creations of their minds”. Those rights include musical compositions and are protected by copyright laws.

If you are the sole writer of an original piece of music then you own 100% of that copyright. If other people have contributed then that percentage changes accordingly. The way you decide to work out the percentages (aka copyright splits) is entirely up to you and your co-writers.


Income sources

There are three main revenue streams for music compositions

  • Mechanical Royalties

Mechanical royalties are generated every time a composition is reproduced, either by physical or digital means, such as vinyl, CDs, cassettes, streaming and downloads.

  • Performance Royalties

Performance royalties are generated when music is performed in public. Some examples include live shows, radio, TV, film, music played in public and commercial spaces.

  • Synch Royalties

Synch (or Synchronization) royalties are paid to a compositions rights holder(s) when said composition is used in another audiovisual work, such as an advertisement, movie, series, electronic game etc.

You might also come across other types of royalties such as print, which describes royalties paid by music printers for sheet music and folios based on the exclusive right to distribute copies of copyrighted material. These can also be collected by the publisher and paid out to the writer if they are part of the agreement.


How is this income generated?

Every time a copyrighted song is sold, downloaded, streamed or performed in public, music users pay (directly or indirectly) an amount of royalties to a collecting society (a Performing Rights Organization and/or Mechanical Rights Organization). These amounts are then distributed to the Music Publisher who, in turn, keeps the agreed-upon commission and pays out the remainder to the songwriter. All pay outs are accompanied by a royalty statement that includes detailed information on the type of usage and income the writer’s music generated during that period.

In the case of Synch, royalties are usually generated as a one-off fee paid by the client to the rights holder – in our case the publisher – in order to obtain a license to use the music in their project. Same rules apply, publisher keeps their cut and pays out the rest to the writer(s).


List of copyright collection societies – Look For Your Country

Choose the region to see countries and collection societies


Association of International Collective Management of Audiovisual Works (AGICOA)

Bureau International des Sociétés Gérant les Droits D’Enregistrement et les Reproduction Mecanique (BIEM)

Christian Copyright Licensing International (CCLI)

Christian Video Licensing International

International Confederation of Societies of Authors and Composers (CISAC)

International Federation of the Phonographic Industry (IFPI)

International Federation of Reproduction Rights Organisations (IFRRO)

International Independent Artists Rights Organisation (iIARO)

International Film and Movie Licensing Authority (IFAMLA)

Motion Picture Licensing Corporation (MPLC)

The Societies’ Council for the Collective Management of Performers’ Rights (SCAPR)

Middle East




Society of Authors Composers and Music Publishers of the Republic of Egypt


Society of Authors, Composers and Music Publishers in Israel (ACUM) (performance rights society, representing authors, poets, lyricists, composers, arrangers, and music publishers)

ESHKOLOT representing performers

Tali Rights, the Israeli Scriptwriters & Directors Collecting society

EILAM, Israeli Musicians’ Collecting Society representing performing musicians and conductors


Musical Work Owners Group (MSG)

Türkiye Musiki Eseri Sahipleri Meslek Birligi (MESAM)

Turkish Phonographic Industry Society (MÜ-YAP)

Müzik Yorumcuları Birliği (MÜYORBİR)

North America



Access Copyright – The Canadian Copyright Licensing Agency (formerly CanCopy)

Alliance of Canadian Cinema Television and Radio Artists Performers’ Rights Society (ACTRA)

American Federation of Musicians of the United States and Canada (AFM)

Audio-Video Licensing Agency (AVLA)

Border Broadcasters’ Inc. (BBI)

Canadian Artists’ Representation Copyright Collective (CARCC)

Canadian Broadcasters Rights Agency (CBRA)

Canadian Musical Reproduction Rights Agency Ltd (CMRRA Ltd)

Canadian Private Copying Collective (CPCC)

Canadian Retransmission Collective (CRC)

Canadian Retransmission Right Association (CRCC)

Canadian Screenwriters Collection Society (CSCS)

Copyright Collective of Canada (CCC)

Directors Rights Collective of Canada (DRCC)

Direct Response Television Collective (DRTVC)

Educational Rights Collective of Canada (ERCC)

FWS Joint Sports Claimants (FWS)

Major League Baseball Collective of Canada Inc. (MLB)

Musicians’ Rights Organization Canada (MROC)

Producers Audiovisual Collective of Canada (PACC)

Playwrights Guild of Canada (PGC) (formerly Playwrights Union of Canada)

Re:Sound Music Licensing Company

Société civile des auteurs multimedia (SCAM)

Société de gestion collective de l’Union des artistes (ARTISTI)

Société de gestion collective des droits des producteurs de phonogrammes et vidéogrammes du Québec (SOPROQ)

Société des auteurs et compositeurs dramatiques (SACD)

Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada (SODRAC)

Society of Composers, Authors and Music Publishers of Canada (SOCAN)

Société québécoise de gestion collective des droit de reproduction (COPIBEC)

Société québécoise des auteur dramatiques (SoQAD)



Eastern Caribbean Collective Organisation for Music Rights (ECCO)

Copyright Organisation of Trinidad & Tobago (COTT)

Copyright Society of Composers, Authors and Publishers Incorporated (COSCAP)

Jamaica Music Society (JAMMS)

Jamaica Association of Composers, Authors and Publishers Limited (JACAP)

The Trinidad and Tobago Copyright Collection Organisation (TTCO)



Motion Picture Licensing Corporation Mexico

SACM (Sociedad De Autores y Compositores De Mexico)


United States

ACEMLA, Asociacion de Compositores y Editores de Musica Latinoamericana, formerly SPACEM, a P.R.O. in Puerto Rico

AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund

Artists Rights Society

American Society for Collective Rights Licensing, Inc. (ASCRL) Washington, D.C. Illustration and Photography

American Society of Composers, Authors and Publishers (ASCAP)

BMI (Broadcast Music Inc.)

Christian Copyright Licensing International

Christian Video Licensing International

Copyright Clearance Center (CCC)

Global Music Rights (GMR)

Motion Picture Licensing Corporation (MPLC)

SESAC, a US-based performance rights association

SoundExchange, a performance rights association

South America


Motion Picture Licensing Corporation South America


Asociación Argentina de Intérpretes (AADI)

Sociedad General de Autores de la Argentina (ArgenTores)

Centro de Administración de Derechos Reprográficos de la República Argentina (CADRA)

Sociedad Argentina de Autores y Compositores de Música (SADAIC)

Cámara Argentina de Productores de Fonogramas y Videogramas (CAPIF)

Motion Picture Licensing Corporation South America

Sociedad Argentina de Autores Fotográficos (SADAFO)

Sociedad Argentina de Actores e Intérpretes (SAGAI)


Escritório Central de Arrecadação e Distribuição (ECAD)

Motion Picture Licensing Corporation Brasil


Motion Picture Licensing Corporation South Chile

Sociedad Chilena del Derecho de Autor (SCD)


Asociación Colombiana de Intérpretes y Productores Fonográficos (ACINPRO)

Asociación Nacional de Autores e Intérpretes de la Canción Colombiana (ANAICOL)

Sociedad de Autores y Compositores de Colombia (SAYCO)


Motion Picture Licensing Corporation South America


Association of European Performers’ Organisations AEPO-ARTIS



Autoren, Komponisten und Musikverleger (AKM)

Vervielfältigungs- und Verbreitungsrechte auf Ton- und Bildtonträgern (AustroMechana – AuMe)

Interpreten und Produzenten von Tonträgern und Musikvideos (LSG)


Motion Picture Licensing Company (VAM)

Rechte der bildenden Künstler, Fotografen und Choreografen (Bildrecht)

Rechte und Ansprüche der Filmschaffenden (VDFS)

Rechte und Ansprüche der Rundfunkunternehmer (VGR)


Société d’Auteurs Belge – Belgische Auteurs Maatschappij (SABAM)





PROPHON – non-profit organization for collective management of related music rights – those of phonogram producers and artists

MUSICAUTOR – non-profit organization for collective management of copyrights – those of authors and composers


Croatian Composers’ Society



PRS for Music, formerly MCPS-PRS Alliance

CNR- Cyprus Neighbouring Management: Musicians, Singers.

Czech Republic

OSA – Ochranný svaz autorský pro práva k dílům hudebním (authors of music and lyrics)

INTERGRAM, nezávislá společnost výkonných umělců a výrobců zvukových a zvukově obrazových záznamů (music interpreters, audio publishers, audiovisual publishers)

DILIA, divadelní, literární, audiovizuální agentura (literature, performing arts)

Ochranná organizace autorská-Sdružení autorů děl výtvarného umění, architektury a obrazové složky audiovizuálních děl (fine arts, architecture, visual part of audiovisual works)

GESTOR – ochranný svaz autorský (resales of originals)

Ochranná asociace zvukařů – autorů (sound engineers)


VISDA (former Copydan) Visuelle Rettigheder i Danmark. Image rights and licensing.

Christian Video Licensing International Denmark

Gramex [da]


Motion Picture Licensing Company Denmark

Nordisk Copyright Bureau


EAÜ (authors and composers of musical works)

EFÜ (phonogram producers)

EEL (performers of musical works)


Kopiosto (Copyright organization for authors, publishers and performing artists, collecting fees for photocopying, radio and TV programmes, extended collective licensing agreements and copyright levies)

Teosto (authors and composers of musical works)

Gramex (performers and publishers of musical works)

Kuvasto (arts)

Tuotos (audiovisual works)

Sanasto (literal works)


Agence nationale de gestion des oeuvres audiovisuelles (ANGOA)


Société des auteurs et compositeurs dramatiques (SACD)

Société des auteurs, compositeurs et éditeurs de musique (SACEM)

Société civile des auteurs multimédia (SCAM)

Société pour l’administration du droit de reproduction mécanique des auteurs, compositeurs et éditeurs (SDRM)

Société des auteurs dans les arts graphiques et plastiques (ADAGP)

Société civile des éditeurs de langue française (SCELF)

Centre français d’exploitation du droit de copie (CFC)

Société des éditeurs et auteurs de musique (SEAM) SEAM



Société pour l’administration des droits des artistes et musiciens interprètes (ADAMI)

Société de perception et de distribution des droits des artistes interprètes de la musique et de la danse (SPEDIDAM)

Société pour la perception de la rémunération équitable (SPRE)

Société de la Propriété Artistique et des Dessins et Modèles (SPADEM) – visual artists

Société pour la rémunération de la copie privée sonore (SORECOP)

Société pour la rémunération de la copie privée audiovisuelle (COPIE FRANCE)

Société civile des producteurs associés (SCPA)

Société civile pour l’exploitation des droits des producteurs phonographiques (SCPP)

Société civile des producteurs de phonogrammes en France (SPPF)

Société civile des producteurs de phonogrammes en France (PROCIREP)

Société civile des auteurs, réalisateurs et producteurs (ARP)

Société française des intérêts des auteurs de l’écrit (SOFIA)

Société des auteurs de l’image fixe (SAIF)

Société des auteurs de jeux (SAJE)

Société des arts visuels associés (AVA)

Société des artistes-interprètes (SAI)

La Société civile des Auteurs Réalisateurs et Producteurs (L’ARP)

Syndicat National de l’Édition Phonographique (SNEP), the National Syndicate of Phonographic Publishing


Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte (GEMA)

Gesellschaft zur Verwertung von Leistungsschutzrechten mbH (GVL)

Gesellschaft zur Übernahme und Wahrnehmung von Filmaufführungsrechten mbH (GÜFA)

Verwertungsgesellschaft Bild – Kunst (VG Bild-Kunst)

Verwertungsgesellschaft Wort – Rechtsfähiger Verein kraft Verleihung (VG Wort)

Gesellschaft zur Verwertung der Urheber- und Leistungsschutzrechte von Medienunternehmen mbH (VG Media)

Verwertungsgesellschaft Musikedition – Rechtsfähiger Verein kraft Verleihung (VG Musikedition)

Verwertungsgesellschaft der Film- und Fernsehproduzenten mbH (VFF)

Verwertungsgesellschaft für Nutzungsrechte an Filmwerken mbH (VGF)

Gesellschaft zur Wahrnehmung von Film- und Fernsehrechten mbH (GWFF)

Urheberrechtschutz Gesellschaft mbH (AGICOA)

Verwertungsgesellschaft Treuhandgesellschaft Werbefilm GmbH (VG TWF)

Gesellschaft zur Wahrnehmung von Veranstalterrechten mbH (GWVR)

Cultural Commons Collecting Society SCE mbH (C3S) (planned)


Autodia Collective Management Society: Songwriters, Music Composers

GEA-GRAMMO, ERATO, APOLLON [el]: Producers, Musicians, Singers (neighboring rights).


Artisjus (music, literature)

EJI (performers)

FilmJUS (movies)

MAHASZ (record producers)

HUNGART (visual artists)

RSZ (reprography)


STEF (music)

Smáís (video and video games)

Myndstef (pictures, architects, etc.)

Fjölís (books)

SFH (performers, record producers)


Republic of Ireland

Christian Copyright Licensing International

Irish Music Rights Organisation (IMRO)

Irish Visual Artists Rights Organisation (IVARO)

Motion Picture Licensing Company Ireland

Phonographic Performance Ireland (PPI)


New Institute for the Protection of Performing Artists Rights (NUOVO IMAIE[3])

Society for the collective administration of Audiovisual Performers’ Rights (ARTISTI 7607)

Institute for the Protection of Performing Artists (IMAIE – not active anymore[4])

Motion Picture Licensing Corporation Italy

Società Italiana degli Autori ed Editori (SIAE)

Società Consorzio Fonografici (SCF)

Diritti Artisti (IPAA)

R.A.S.I. Rete Artisti Spettacolo Innovazione (

Society collecting compensations of neighbouring rights – ItsRight (



LaIPA (Latvian performers’ and Producers’ Association)

AKKA/LAA (Copyright and Communication Consulting Agency/Latvian Authors Association)

LATREPRO (Latvian Reprographic Rights Organisation)


AVAKA (Lithuanian audiovisual authors and producers rights association)

LATGA (Association LATGA – Lithuanian Copyright Society)

AGATA (AGATA – Lithuanian Neighbouring Rights Society)


Luxorr Société de gestion et de répartition des droits d’auteur et des droits voisins (Luxembourg Organization For Reproduction Rights Asbl) – Website: &

Sacem Luxembourg (société des auteurs compositeurs et éditeurs de musique)

The Netherlands













Sekam Video


SSK Music


Kopinor (books, newspapers, magazines, sheet music, and similar publications)

Motion Picture Licensing Company Norway

TONO (Copyright collective for authors and composers of musical works)

Gramo (Joint Collecting Society in Norway for Musicians, Performing Artists and Phonogram Producers)

BONO (Norwegian Visual Artists Copyright Society)


There are twelve officially recognized copyright collection societies in Poland:

ZAiKS (Polish Society of Authors and Composers)

ZPAV (Polish Society of the Phonographic Industry)

SFP – ZAPA (Polish Filmmakers Association – The Union of Audiovisual Authors and Producers)

STOART (Union of Performing Artists STOART)

SAWP (Polish Association of Performing Artists of Music and Music with Lyrics)

STL (Polish Folk Arts Society)

KOPIPOL (Association of Copyright Collective Administration for Authors of Scientific and Technical Works)

REPROPOL (Publishers Association)

Copyright Polska – SAiW (Association of Authors and Publishers)

ZPAP (Association of Polish Artists and Designers)

ZPAF (Association of Polish Art Photographers)

ZASP (Association of Polish Stage Artists)


Motion Picture Licensing Company

Sociedade Portuguesa de Autores [pt] (SAD)




Motion Picture Licensing Company Romania

Romanian Musical Performing and Mechanical Rights Society









SOZA (Slovak Performing Rights Society)


Združenje SAZAS

Društvo ZAMP


Zavod IPF

Zavod AIPA


Asociación De Gestión De Derechos Intelectuales (AGEDI)

Sociedad de Artistas Intérpretes o Ejecutantes de España (AIE)

Artistas Intérpretes Sociedad de Gestión (AISGE)

Centro Español de Derechos Reprográficos (CEDRO)

Derechos de Autor de Medios Audiovisuales (DAMA)

Entidad de Gestión de Derechos de los Productores Audiovisuales (EGEDA)

Motion Picture Licensing Company Spain

Sociedad General de Autores y Editores (SGAE)


Bildupphovsrätt i Sverige (Bus) (Visual Copyright Society in Sweden)


Svenska Tonsättares Internationella Musikbyrå (Stim) (Swedish Performing Rights Society)

IFPI Sweden – International Federation of the Phonographic Industry (Swedish Society of Music Companies)

Sveriges kompositörer och textförfattare (Skap) (Swedish Society of Songwriters, Composers and Authors)


Motion Picture Licensing Company Switzerland

ProLitteris [de]

Société Suisse des Auteurs SSA



Swissperform [de]


International Film and Movie Licensing Authority (IFAMLA)

Ukrainian Agency of Copyright and Related Rights (UACRR)

United Kingdom

Authors’ Licensing and Collecting Society (ALCS)

Artists’ Collecting Society (ACS)

Broadcasting Data Services (BDS)

British Equity Collecting Society (BECS)

Christian Copyright Licensing International, United Kingdom

Christian Video Licensing International United Kingdom

Copyright Licensing Agency (CLA)

Design and Artists Copyright Society (DACS)

Directors UK (D-UK), formerly the Directors’ and Producers’ Rights Society (DPRS)

Educational Recording Agency (ERA)

Mechanical Copyright Protection Society of Great Britain

Motion Picture Licensing Corporation (MPLC)

NLA Media Access (NLA)

Open University Worldwide (OUW)

PRS for Music, formerly MCPS-PRS Alliance

Phonographic Performance Limited (PPL)

Publishers’ Licensing Services (PLS)

Soundreef Ltd Independent Management Entity

Sync Music, Music and Performer Rights Clearance Agency

Video Performance Limited (VPL)



Copyright Agency of Azerbaijan Republic (Azərbaycan Respublikası Müəllif Hüquqları Agentliyi)


Music Copyright Society of China (MCSC)


International Film and Movie Licensing Authority (IFAMLA)


Wahana Musik Indonesia (WAMI)


Indian Reprographic Rights Organisation (IRRO)

Indian Performing Rights Organization (IPRS)

Phonographic Performance Limited India (PPL India)

Hong Kong

Composers and Authors Society of Hong Kong Ltd. (CASH)


  • Music

Japanese Society for Rights of Authors, Composers and Publishers (JASRAC) – Largest CMO in Japanese music industries.

NexTone Inc. [ja] – Merged between Japan Rights Clearance Inc. [ja] and e-License in 2016.

Music People’s Nest [ja] (MPN)

  • Visual arts

Japan Art, Photograph and Graphic Art Copyright Organization [ja] (APG-Japan) – A member of the International Confederation of Societies of Authors and Composers.

Japanese Society for Protecting Artists’ Rights [ja] (JASPAR) – Non-Japanese visual arts such as Marc Chagall, Salvador Dalí and Le Corbusier.

Société pour la Protection des Droits Artistiques [ja] (SPDA) – Handles works of Pablo Picasso and Henri Matisse. Downsized after the JASPAR’s spin-off in 2012.

Japan Photographic Copyright Association [ja] (JPCA) – Represents ten photographic business associations such as Japan Professional Photographers Society.

  • Videos

Audiovisual Rights management association [ja] (aRma) – Established by Japan Association of Music Enterprises [ja], Federation of Music Producers Japan [ja], Geidankyo [ja] (meaning consortium of entertainment performers associations of Japan).

Performers’ Rights Entrustment [ja] (PRE) – Collects licensing fees of TV programs.


Japan Publishing Copyright Association [ja] (JPCA) – Issued a strong statement against Google Book Search Settlement Agreement.

Japan Reproduction Rights Center [ja] (JRRC) – Mainly on behalf of paper-based publishers.

Rental Rights Administration Center for Publications [ja] (RRAC)


National Union of Right Holders (NUR)


Motion Picture Licensing Company Malaysia

Recording Performers Malaysia Berhad (RPM)

Music Authors’ Copyright Protection (MACP)

Performers & Artistes Rights Malaysia (PRISM)

Public Performance Malaysia Sdn Bhd (PPM)

Public Performance Malaysia (PPM) Berhad (PPM)


Music Royalty Collection Society Nepal (MRCSN)

Performers’ Society of Nepal (PSN)

Music Producers’ Society of Nepal (MPSN)


Filipinas Copyright Licensing Society (FILCOLS)

Filipino Society of Composers, Authors and Publishers (FILSCAP)

Filipino Visual Arts and Design Rights Organization (FILVADRO)

Performing Rights Society of the Philippines (PRSP)

Sound Recording Rights Society, Inc. (SOUNDSRIGHT)


International Film and Movie Licensing Authority (IFAMLA)

Russian Authors Society (RAO)

Russian Organization for Intellectual Property VOIS (Collective society related rights)

Russian Organization for Multimedia and Digital Systems (ROMS, or POMC in Russian; aka Russian Multimedia and Internet Society)


Christian Copyright Licensing International Singapore

Christian Video Licensing International Singapore

Composers and Authors Society of Singapore (COMPASS)

Motion Picture Licensing Company Singapore

South Korea

Korea Music Copyright Association (KOMCA)[1]

The Korean Society of Composers, Authors and Publishers (KOSCAP)[1]

Recording Industry Association of Korea (RIAK)

Federation of Korean Music Performers (FKMP)

Sri Lanka

International Film and Movie Licensing Authority (IFAMLA)


Association of Recording Copyright Owners (ARCO)

Music Copyright Society of Taipei (MÜST)



Australasian Mechanical Copyright Owners Society (AMCOS)

Australasian Performing Right Association (APRA)

Christian Video Licensing International

Motion Picture Licensing Corporation


Australian Screen Directors Authorship Collecting Society (ASDACS)

Australian Writers Guild Authorship Collecting Society (AWGACS)

Christian Video Licensing International Australia

Copyright Agency Limited (CAL)

Phonographic Performance Company of Australia (PPCA)

Screenrights: The Audio Visual Copyright Society (Audio-Visual Collecting Society Ltd)

VISCOPY Australia


Fiji Performing Rights Association

New Zealand

Copyright Licensing New Zealand (CLNZ)

Christian Copyright Licensing International (CCLI) New Zealand

Christian Video Licensing International New Zealand

PPNZ Music Licensing

APRA New Zealand



Audiovisual Rights Society of Ghana (ARSOG)

Ghana Music Rights Organization (GHAMRO)


Kenya Association of Music Producers (KAMP)

Reproduction Rights Society of Kenya (KOPIKEN)

Music Copyright Society of Kenya (MCSK)

Performers Rights Society of Kenya (PRISK)


Mauritius Society of Authors


Audio Visual Rights Society of Nigeria (AVRS)

Copyright Society of Nigeria (COSON)

Reproduction Rights Society of Nigeria (REPRONIG)

Musical Copyright Society Nigeria Ltd (MCSN)

South Africa

Christian Copyright Licensing International South Africa

Christian Video Licensing International South Africa

Dramatic, Artistic and Literary Rights Organisation (DALRO)

International Independent Artist Rights Organisation (iIARO)

Composers Authors and Publishers Association (CAPASSO)

Southern African Music Rights Organisation (SAMRO)

The Recording Industry Of South Africa (RISA)

South African Music Performance Rights Association (SAMPRA)


Uganda Federation for Movie Industry

Uganda Performing Right Society

Uganda Reproduction Rights Organisation


Copyright Society of Tanzania (COSOTA)

National Arts Council, Tanzania (BASATA)